Samizdat Blog
Saturday, December 04, 2010
Divinity Effects
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…the tintinnabuli style — especially in the simple form in which it exists in “Für Alina” — consists of two lines. The melody, which proce...
4 comments:
Tuesday, November 30, 2010
C.S. Giscombe's Emancipation of the Dissonance
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The latest issue of Cincinnati Review is out, and it includes my essay "Emancipation of the Dissonance: The Poetry of C.S. Giscombe....
4 comments:
Friday, November 19, 2010
Nasty, Brutish, & Short — but Funny: Hobbes on Comedy
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The leaves are dying, people, but the semester itself refuses to die, sprouting new, snarling dragon-heads of academic minutia like t...
7 comments:
Sunday, November 14, 2010
Poetry, Politics, Obscurity
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Despite what the picture may lead you to believe, I haven't been interviewed by Ed Murrow. No, people, it was Johannes Göransson wh...
5 comments:
Friday, November 12, 2010
Hothouse Gorgeous: Two New Books!
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Rejoice, people! Simone Muench and Philip Jenks' Disappearing Address , a book of collaborative poem-letters, has just hit the bo...
Thursday, November 11, 2010
Dancing Like David Byrne: Apollo Performs Dionysus
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A while ago I went a bit overboard in examining the phenomenon of the hipster in terms derived from Nietzsche's study The Birth of Tr...
1 comment:
Saturday, October 30, 2010
Situationism and the Green Party
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As someone once said, it's not easy being green, at least not in the United States. Even here in Illinois, where the Green Party has ...
4 comments:
Thursday, October 28, 2010
Modernism and the Market
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“He is one of those tormented spirits who seek in art the solution, not to the problem of success, but to the problem of the...
5 comments:
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